List of works | 09/2022 | excerpt, chronologically
i wd leave leaf & dance for orchestra & artificial traces – 2022; 22’
SCHWEINE for ensemble [picc., clar., vl., va., vc., perc., synth.] & live-electronics – 2020/21; 20’
Boys Don’t Cry for ensemble [tr., pos., 2 perc., e-git., pno., vc.] & live-electronics – 2019; 22’
six rooms – site specific multi-media installation
Workshop der Liebe – workshop with five singers, live libretto & audience
«My mother was a piano teacher […]» – for Fernensemble [fl., perc., synth., git., vc., viola da gamba/Paetzold flute] & moderators – 2017; 35’
schöner leben 9 (Turing Maschine) – for amplified conductor, click-tracks, monitors & electronics – UA 2016; 13'
low poly rose for clarinet, piano & violoncello – 2016; 12’
«arcade fire» for violoncello, percussion [2 players] & live-electronics – 2016; 5’
I Need You Love for ensemble [tr., pos., perc., vl., va., vc., synth.] & live-electronics – 2015; 20’
erased composer – fixed media (stereo) 2015; 22’
MEUTEN (Imitat) – for choir & live-electronics [1 player] – 2014; 16'
Index [St. Peter] – for organ, fake sounds, electronics, acoustic markers & handouts – 2014; 17’
Selbstversuch, die Andern for amplified ensemble [sopr., cbcl., git., vc., perc., synth., pno.], feedbacks & live-electronics – 2013; 13’
Dieter Sanchez für guitar, violoncello, feedbacks & live-electronics – 2013; 6’
Wir sind frei – modular music theatre for any number of performers – 2013; variable duration [ca.15 – 75']
Dein Penis für violoncello, percussion und feedbacks (also in different instrumentation) 2012; 6’
schöner leben 7 – „Äußerlich auf dem Damm, aber verkorkst im Innern.“ – D.F.W.) for saxophone (soprano & tenor) with food controlled keyboard, headphones, amplification & electronics – 2011; 12'
Wald for orchestra & electronics – 2011; 12’
Gier for oboe, percussion, piano, double bass & live-electronic [1 player] – versions with clarinet (Es) and/or violoncello – 2011; 11’
schöner leben 6 (Armstrong-Schaltung) for feedback-violoncello with transducers, Amplification & electronics – 2011; 13'
Soforterlös for oboe, Violoncello, piano, plexiglass pane, toy guns & three TVs – 2010; 15’
Leerstand. A radiophonic play. – 2010; 34’
schöner leben 3 („Girl You Know It’s True“ – M.V.) for flute with neon light, amplifications & electronics – 2009; 12’
schöner leben 4 (sumo D.D.) for harp with amplification, electronics & TV – 2008; 9’
schöner leben 1 (music for K.C.) for counter tenor with e-piano, megaphone, amplifications, electronics, masks & toy gun – 2008; 11’
Das Mitleid ist die Geißel der Menschheit, Sheriff. – fixed media (4 channels) & ghetto blaster – 2008; 7'
schöner leben 5 („Nix verstehen ist besser als gar nichts.“ – M.K.) for prepared viola with amplifications & electronics – 2008; 9’
Kokain – fixed media (mono) – 2007; 2’
Marion – fixed media (3 channels) with acoustic markers – 2007; 11'
schöner leben 2 (Monument für T.H.) for piano & live-electronics – 2007; 10’
samba transit – fixed media (stereo) – 2006; 1’
conglom-o-mat for large orchestra & live- electronics – 2004; 23'
xerox for saxophon (alt), percussion, piano & electronics – 2003/2017; 11’
taped & low-bit for counter tenor & synthesizer – 2003; 9'
clinique for piccolo & accordion – 2002; 17’
venus_5 for piano & live-electronics – 2002; 17'
linked trips for amplified ensemble [fl., clar., e-guit., perc., vlc., sopr.] – 2001; 14’
zer.wüstet for large orchestra & electronics – 2001; 26’
Pink Fantasy Island – fixed media (4 channels) – 2000; 16'
Als ich die Zunge herausschnitt – for choir & electronics – 1999/2000; 14’
Augenbildermusik for accordion with percussion instruments, electronics & light – 1999; 11'
List of works | 09/2022 | excerpt, chronologically
i wd leave leaf & dance for orchestra & artificial traces – 2022; 22’
SCHWEINE for ensemble [picc., clar., vl., va., vc., perc., synth.] & live-electronics – 2020/21; 20’
Boys Don’t Cry for ensemble [tr., pos., 2 perc., e-git., pno., vc.] & live-electronics – 2019; 22’
six rooms – site specific multi-media installation
Workshop der Liebe – workshop with five singers, live libretto & audience
«My mother was a piano teacher […]» – for Fernensemble [fl., perc., synth., git., vc., viola da gamba/Paetzold flute] & moderators – 2017; 35’
schöner leben 9 (Turing Maschine) – for amplified conductor, click-tracks, monitors & electronics – UA 2016; 13'
low poly rose for clarinet, piano & violoncello – 2016; 12’
«arcade fire» for violoncello, percussion [2 players] & live-electronics – 2016; 5’
I Need You Love for ensemble [tr., pos., perc., vl., va., vc., synth.] & live-electronics – 2015; 20’
erased composer – fixed media (stereo) 2015; 22’
MEUTEN (Imitat) – for choir & live-electronics [1 player] – 2014; 16'
Index [St. Peter] – for organ, fake sounds, electronics, acoustic markers & handouts – 2014; 17’
Selbstversuch, die Andern for amplified ensemble [sopr., cbcl., git., vc., perc., synth., pno.], feedbacks & live-electronics – 2013; 13’
Dieter Sanchez für guitar, violoncello, feedbacks & live-electronics – 2013; 6’
Wir sind frei – modular music theatre for any number of performers – 2013; variable duration [ca.15 – 75']
Dein Penis für violoncello, percussion und feedbacks (also in different instrumentation) 2012; 6’
schöner leben 7 – „Äußerlich auf dem Damm, aber verkorkst im Innern.“ – D.F.W.) for saxophone (soprano & tenor) with food controlled keyboard, headphones, amplification & electronics – 2011; 12'
Wald for orchestra & electronics – 2011; 12’
Gier for oboe, percussion, piano, double bass & live-electronic [1 player] – versions with clarinet (Es) and/or violoncello – 2011; 11’
schöner leben 6 (Armstrong-Schaltung) for feedback-violoncello with transducers, Amplification & electronics – 2011; 13'
Soforterlös for oboe, Violoncello, piano, plexiglass pane, toy guns & three TVs – 2010; 15’
Leerstand. A radiophonic play. – 2010; 34’
schöner leben 3 („Girl You Know It’s True“ – M.V.) for flute with neon light, amplifications & electronics – 2009; 12’
schöner leben 4 (sumo D.D.) for harp with amplification, electronics & TV – 2008; 9’
schöner leben 1 (music for K.C.) for counter tenor with e-piano, megaphone, amplifications, electronics, masks & toy gun – 2008; 11’
Das Mitleid ist die Geißel der Menschheit, Sheriff. – fixed media (4 channels) & ghetto blaster – 2008; 7'
schöner leben 5 („Nix verstehen ist besser als gar nichts.“ – M.K.) for prepared viola with amplifications & electronics – 2008; 9’
Kokain – fixed media (mono) – 2007; 2’
Marion – fixed media (3 channels) with acoustic markers – 2007; 11'
schöner leben 2 (Monument für T.H.) for piano & live-electronics – 2007; 10’
samba transit – fixed media (stereo) – 2006; 1’
conglom-o-mat for large orchestra & live- electronics – 2004; 23'
xerox for saxophon (alt), percussion, piano & electronics – 2003/2017; 11’
taped & low-bit for counter tenor & synthesizer – 2003; 9'
clinique for piccolo & accordion – 2002; 17’
venus_5 for piano & live-electronics – 2002; 17'
linked trips for amplified ensemble [fl., clar., e-guit., perc., vlc., sopr.] – 2001; 14’
zer.wüstet for large orchestra & electronics – 2001; 26’
Pink Fantasy Island – fixed media (4 channels) – 2000; 16'
Als ich die Zunge herausschnitt – for choir & electronics – 1999/2000; 14’
Augenbildermusik for accordion with percussion instruments, electronics & light – 1999; 11'